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Sunday, November 23

Quantum of Solace


The 22nd foray into the twisted and convoluted life of cinema's favorite British spy, Quantum of Solace displays the aftermath of Casino Royale with a frenetic journey across continents that pits Bond against his own MI6 as well as the man behind the death of his love, Vesper.

Quantum does well within the Bond family, particularly with the evolving feel that Daniel Craig has lent to the franchise. He brings more of a physical presence to the screen that hasn't been felt before, and some of the tongue-in-cheek dialogue and extravagantly entertaining, yet innocuous scenarios have fallen by the wayside in deference to a more terse and realistic tone.

The only problem with this 21st century spy paradigm (see the Bourne movies) is that the fantasy aspect all but dies as the realism becomes more prevalent. The most noticeable exception to this is still the seemingly invincible Bond. He gets cuts and scrapes, but what bothers me is that there is never any doubt that he will beat the villain, and do it in a new and cinematically appealing way. He confronts dozens of men, and walks away after beating all of them in hand to hand combat. He takes down three of MI6's best in an elevator, in handcuffs with not a scratch or a bit of trouble.

Missing are the gimmicky gadgets, and the trademark car (with the exception of the opening scene, which is breathtaking, but far too short). Bond is getting darker and more physical, but also is beginning to convey superhuman strength and decision making skills. This is exactly what he is supposed to be, but it should be subtle and admirable.

The fast paced action in the beginning matches that near the end, but the middle lacks real substance and drones on for just a bit too long before bringing us back full-circle. Bond is an icon for the ages, and with Craig, it is a more noticeable transition or changing of the guard than there has ever been in the past. He does the character great justice in all the right ways, but there needs to be a little bit more originality tied to this new darker and brutish tone. Audiences clearly are interested in seeing some of the old and some of the new, but the mix threw me off a little.

Good action, weak story, Craig is great. The infamous "Bond Girls" were contrived and cute, but nothing memorable in this outing. I will continue to see Bond, but will expect more from the next one. 6/10.

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