The King's Speech

This biopic is more of a history lesson disguised as an inspirational story than anything else, but it is wonderfully done. King George VI came to power after the death of his father and the abdication of the throne by his less than patriotic brother. He was an established fixture of the Monarchy, with experience in the Royal Navy, and having versed himself in customs and responsibility. His one flaw, which is brilliantly portrayed in the film, was his speech impediment of stammering, which in turn caused a severe blow to his self-confidence.

Avoiding public speaking was King George's ultimate goal. The royal advisers knew of this ambition and obliged him when possible, but as England began to realize that avoiding Hitler and the war with Germany was impossible, they turned to their King for guidance and reassurance.

The film is gaining critical acclaim for Colin Firth's performance as the King, and I agree wholeheartedly, but Geoffrey Rush gives an equally impressive performance, and Helena Bonham Carter shirks the Tim Burton reputation nicely with an understated role as George's supportive wife.

Director Tom Hooper capitalizes on this compelling story by integrating just the right amount of humor through dialogue, and even camera work. Low angle shots, creating the perspective of someone who abhors speaking in front of anxiously awaiting crowds, and the well-timed uncomfortable pauses are just long enough to cause a bit of a squirm.

Integrated into this history lesson is a blossoming relationship between George and his speech therapist, Lionel Logue, played by Rush. His unorthodox methods, and direct, yet effective communication techniques lull his clients into a genuine trust and friendship that shows how passionate he is about his craft.

Firth demonstrates King George's sheer frustration at his impediment, and has given up hope that anyone can help him overcome this singular debilitating obstacle. The anxiety and self-consciousness consumes him, even as he works through Logue's exercises. He begins to believe in his therapist, and through his work and Logue's constant reassurance, he gains his own sense of hope.

The film maintains a positive tone throughout, and climaxes with a surprisingly intense crescendo of George's first speech as King; the declaration of war with Germany. The transformation of George from introverted Prince to regal King is subtle, but very noticeable. Firth makes the shift seamlessly, and leaves the viewer with the warm feeling that England is left in good hands.

Firth will win his first Oscar for his performance. There are so many layers to the character, and the speech impediment alone is worthy of accolades. Rush will add another Oscar nomination to his resume, and may very well win this year. I put him up against Christian Bale, and it is too close to call at this point.

The film, director, screenplay will all receive nominations as this is one of the more feel-good films to grace the Oscar ballot, and there is only so much negativity that can drive the awards ceremony. It's a great story of triumph over adversity, even if it is a relatively innocuous adversary.

Well acted and believable. Full of hope, tension, and genuine positivity and care by all of the performers. I liked this movie for the simplicity and the acting was absolutely wonderful. 9/10.